Showing posts with label theory. Show all posts
Showing posts with label theory. Show all posts

19.5.11

Burke, Sophistry, and Ecological Rhetoric

I wrote this in response to a graduate students' project on Kenneth Burke. I didn't want to lose it, so I'll stick it here:

Burke shares quite a bit with the Sophists because they both believe that rhetoric is metaphysical, rather than representational. That is to say, language doesn’t simply report on an already existing reality; rather, language participates in bringing reality into being. This does not mean that all reality--for Burke or the Sophists-- is merely language (a critique often thrust upon poststructuralists); there is a material world out there. But we do not have direct access to that material world, we always engage it through our consciousness, through our culture, through words, ideas, preconceptions, expectations, moods, ideologies, identities, technologies, locales, dispositions, injuries, etc.

9.2.11

Latour, Gorgias, and Levinas Take 15

This article keeps beating me up--every time I think I know what I am doing, it runs away. I believe I am finally whipping it in to shape, but I want to make sure the following paragraphs make sense to someone else beside me. Here's what I think my thesis is...

Bruno Latour, Gorgias of Leontini, Emmanuel Levinas. At first glance, such a union might seem antithetical. Casting aside Platonic misrepresentations of Gorgias as a swindler and a cheat, how can Levinas’ Humanism, so intense that it fails to recognize animals as having ethical status, be reconciled with Latour’s Actor Network Theory, which refuses to distinguish any hierarchical ontological distinction between a human being and a laboratory beaker? Without dismissing these differences, I reconcile Latour’s challenge to Humanism’s traditional anthropocentrism with Levinas’s humanism of the Other person by highlighting how each shares a strong aversion to the isolated and autonomous Cartesian self operating at the core of much Western philosophy and rhetoric, an aversion shared by Bruce McComiskey and Scott Consigny’s versions of Gorgian sophistry.

The essay first reviews Latour’s challenge to the late 20th century critical tradition, calling instead for a renewed invest in political practice that he terms “concern.” Working in response to Graham Harman’s disavowal of any connection between Latourian politics and ancient sophistry, I will highlight how Latour’s turn toward “concern” shares both metaphysical and practical overlays with Gorgian sophistry (if, unlike Harman, we attend to recent studies of Gorgian sophistry and do not rely on the tired, cliché, and impoverished image of Gorgias offered to us by Plato). Gorgian sophistry offers an ethical defense for agonistic encounter. Finally, I turn to Levinas’ opposing obligations of responsibility (infinite hospitality to the other) and justice (inevitable violence stemming from the infinite obligation to both the other and the neighbor) to construct an ethical disposition requisite for the concerned political-sophistic-agonistic practice advocated by Latour and Gorgias.

28.9.10

Institutional Responsibility

The other day a colleague and I were discussing what to teach in this post-postmodern age, generally agreeing that rehashing the theory-science wars was counterproductive, and that teaching deconstructive critique (as a purely epistemological exercise) was out of steam. See Latour. But I did urge that practicing deconstruction be considered as a still important element of our being instituted, being in institutions, instituted beings. Such play is obnoxious. But I think it important to remember, across Burke's "way of seeing is a way of not seeing" that the institution continues to enforce barriers and boundaries instituted in the late 19th century. For all the talk of postmodernity, the University changed little, if at all, in its expectations and operations.

In preparing for my graduate class tonight on Contemporary Rhetorics, I chose to read Derrida's "University in the Eyes of its Pupils" (in a move toward post-pedagogy, each student was asked to read three different essays related to postmodern theory, their choice). I first read this piece in Thomas Rickert's Institutional Rhetoric course, and I must say it remains my favorite Derrida essay. At one point, Derrida makes an argument that I think succinctly expresses Heidegger/Lyotard/Reading's critique sof an increased technological/efficient/excellent university and Foucualt's arguments for how the increased discursive-institutional dispersion of power complicates resistance. Derrida:

A State power or the forces that it represents no longer need to prohibit research or to censor discourse, especially in the West. It is enough that they can limit the means, can regulate support for the production, transmission, and diffusion. The machinery for this new "censorship" in the broad sense is much more complex and omnipresent than in Kant's day, for example, when the entire problematics and the entire topology of the university were organized around the exercise of royal censorship. Today, in the Western democracies, that form of censorship has almost entirely disappeared. The prohibiting limitations function through multiple channels that are decentralized, difficult to bring together into a system. The unacceptability of a discourse, the noncertification of a research project, the illegitimacy of a course offering are declared by evaluative actions: studying such evaluations is, it seems to me, one of the tasks most indispensable to the exercise of academic responsibility, most urgent for the maintenance of its dignity.

A few posts ago, I made mention to Richard Miller's open ended slow reading, something I would equate with the arguments for post-pedagogy advocated by Byron Hawk and Thomas Rickert. But we have to be ready to fight for such possibilities, because I fear the increasing drive for "excellence" (scare-quoted to summon the specter of Readings) in assessment will not be open to the open-ended and student-directed. It wants teleological ends and directed students. In an atmosphere of accountability and expediency, teachers teach and students learn from teachers--how can students learn and teachers learn from students? I don't think the Power that is will legitimate the impetus of such a question.

But I increasingly feel the call to fight for it.

1.9.10

Assessment from a Poetic Perspective

My wife today sent me a link to Heather K. Phillips MFA thesis project. Heather is a recent graduate of RISD; her project speaks to the legitimation of critique and the ubiquity of assessment at all levels of education. Here's a great paragraph from her abstract:

In my work, I co-opt the vocabulary of critique, cloaked in niceties and reinforced by repetition, to demonstrate its limitations. Using a hyperbolic approach, I identify and mirror the language back to expose the veneer of objectivity and test the limits of subjectivity. I replay feedback in exaggerated form, to challenge the perception that critique is an infallible process.

Last night my Contemporary Rhetorics course focused on Lyotard's Postmodern Condition. One of the student presentations highlighted an interview with Lyotard in a 1996 issue of JAC in which Lyotard declares PMC an abysmal failure and expresses extreme regret for every having written it. In a response to the interview, one of my colleagues, Deborah Jacobs, argued that Lyotard's regret stems from his aversion to definition and "theory" (as Lyotard defines the term) in favor of philosophy and questions. She also notes that Lyotard's dismissal of his writing "unsays" what was "said"--calls it into question, challenges its being. PMC, after all, is a book that attempts to define a particular movement, catalogue a series of transformations, and offer a possible (paralogical) response. It all sounds quite positivist. But it is also a slippery book that defies promises and undermines a few of its own pretensions (last night we discussed whether paralogy can exist as its own meta-narrative, or whether it is a parasitic operation, orientation, or attunement brought to an existing narrative-game). Lyotard jests in his introduction:

It remains to be said that the author of the report is a philosopher, not an expert. The latter knows what he knows and what he does not know: the former does not. One concludes, the other questions--two very different latter games. I combine them here with the result that neither quite succeeds. (xxv)

The passage reminds me of a saying of one of my more sardonic friends from graduate school: "you are always failing at something." Phillips' project speaks to this lingering postmodern challenge to the ideals of human autonomy and truth, particularly her "Stamps of Disapproval." I'm pretty sure I gave Casey one of these stamps not so long ago (but in my defense, his argument was entirely tautological).

8.4.10

Foucault for Thursday

Most of my leisurely writing lately has been dedicated to baseball, but I spent some time this morning preparing the following for a undergraduate student reading Foucault for the first time. Her project this semester has been dedicated to queer rights, and this is her first encounter with queer theory. I suggested she start with either Foucault or Butler, and she chose Foucault. My undergrad students are required to do am 8 to 10 page final paper on any topic of their choosing, so long as it meets specific criteria (more on that later). Here's what I gave her to help her think of how to use Foucault for a project inline with her semester long project.

Foucault and Sexuality

Here’s a few specific passages to help you think your way through this material. First, from page 105 of the 1990 Vintage Books edition (Part 4, Chapter 3 “Domain”):

Sexuality must not be thought of as a kind of natural given which power tries to hold in check, or as an obscure domain which knowledge tries gradually to uncover. It is the name that can be given to a historical construct: not a furtive reality that is difficult to grasp, but a great surface network in which the stimulation of bodies, the intensification of pleasures, the incitement to discourse, the formation of special knowledges, the strengthening of controls and resistances, are linked to one another, in accordance with a few major strategies of knowledge and power. (105-106)

These long sentences essentially say the same thing—that “sex” isn’t something either a) completely natural or b) entirely cultural. Hence why sex isn’t something “real” and “really hidden” that we can uncover. Rather the act of trying to “uncover” sex produces (or, if I was using Foucault’s language, discursively constructs) sexuality itself. Hence his statement of a “great surface network.” In short summation, we can’t really know anything about sex, but we can pay close attention to the ways in which people talk about, represent, practice, and contest sexuality. This work was written in France in the mid-1970’s. You might want to look at sexual politics and representations in the 1970’s and then compare them to today.

The second passage comes from page 56:

The important thing, in this affair, is not that these men shut their eyes or stopped their ears, or that they were mistaken; it is rather that they constructed around and apropos of sex an immense apparatus for producing truth, even if this truth was to be masked at the last moment. The essential point is that sex was not only a matter of sensation and pleasure, of law and taboo, but also of truth and falsehood, and that the truth of sex became something fundamental, useful, or dangerous, precious or formidable: in short, that sex was constituted as a rpblem of truth. What needs to be situated, therefore is […] the progressive formation (and also transformations) of that “interplay of truth and sex” which was bequeathed to us by the nineteenth century, and which we may have modified, but, lacking evidence to the contrary, have not rid ourselves. Misunderstandings, avoidances, and evasions were only possible, and only had their effects, against the background of this strange endeavor: to tell the truth of sex. (56-57)

The “they” in the opening sentence referes to early psychoanalysts such as Freud. They were exploring “pathological sexual deviance” and other such “problems.” We might ask ourselves, 25 years after Foucault’s writing—is/are there still (a) "truth(s)" to sex? Where does it/they emerge?

5.2.10

Facing Myself

Casey posted a response to my post yesterday to Facebook. I ripped out a rather long reply, but Facebook is having difficulties. So (sorry Casey), I'll just move the conversation here. Casey responded to yesterday's post with:

Santos: I've been thinking on a related subject lately: is it worthwhile to "theorize" in this aristocratic way? Should we have a pedagogy for the in-crowd? A curriculum for those who "get it?" An academy of saints?

And prospectively, what is the point?... presumably, those who "get it" already get it. They don't need Nietzsche. It's like education only works for those who "enjoy critical questioning," but those who DON'T enjoy critical questioning cannot be educated.

So that they have ears but cannot hear, or whatever.

To address the questions in order:

  1. For me, yes.
  2. I think you are confusing pedagogy [how we teach] and curriculum [what we teach]. Still, the answer is yes [to the curricular decision to teach Nietzsche]. So, too, there is an aristocratic current to my pedagogy: because what makes them the in-crowd is the ability, desire, and commitment to ask themselves questions. Those people belong in Asimov's House of the Feebleminded. And that "aristocratic" curriculum opens avenues for thinking new questions. Of course, in place of aristocratic, I would prefer meritocratic--where my subject criteria for "higher" study is a display of interest in actually exploring something new to the student (whatever that is).
  3. Deification is of course an issue. As is aristocracy-oligarchy.
  4. The problem might be the very attempt to articulate A point for education. We offer educations. For some, there is no desire for critical questioning of any kind (and I don't mean this term tersely as politics, religion, economics, etc. I mean they don't want to ask any kind of question that broaches upon the metaphysical, aesthetic, or ethical). I feel part of our obligation--as individual teachers, departments, disciplines, institutions--involves approaching these subjects. But we cannot force them. That said, we can identify the students who have an interest in these subjects and questions (what makes Def Poetry powerful is one question an undergrad accounting student is exploring this semester, I've asked her to juxtapose def poetic performance against Pinsky's theory of poetic sound). And I don't accept this presupposition that they transcendentally "get" "it." Either get or it. Not automatically. So, essentially, as much as I might not like it, there is something of Republic VII showing up here--although my attitude (I hope) is markedly different than Plato's. Its not a manner of pulling people out of the cave, as much as a matter of recognizing who wants to do something different, and providing an opportunity. And then finding a way to "educate" those who are not interested in [post]Human questioning in such a matter that does not force me to compromise my principles [in this case, that education has to involve self-direction, imagination, and--usually--discomfort].

I hope I am not too critical here--but Casey's questions hit home for someone who has both my interest in critical theory and progressive visions for education and my devotion (and, yes, Casey, I mean that in terms of deification) to Levinas' prioritization of ethics as first philosophy. I have started to ask myself how different our institutions would look, our classrooms, our office hours, if instead of a fundamental turn toward either Kantian understanding, Hegelian synthesis, or Heideggerian questioning we turned to Levinas' obligation to the other. All the time. An unrelenting responsibility to listen rather than speak. It makes me uncomfortable at times. But, as I indicated above, and old professor of mine (Dr. David Zern) once told me that unless someone is uncomfortable, they are not learning (he was a Freudian--and a very smart man; you'd like him Casey, he argues for notions of universal justice). I realize only know--years later--that the one I should have been making uncomfortable was not the student.

It was me.

And, Casey, I needed to engage Levinas--to question him--in order to have him question me.

4.2.10

Maniacal Laughter

I've always really liked the title to Davis' work Breaking Up [at] Totality for its playfulness and visual pun (follow the link to see the cover). Of course, I also enjoy the Gorgian-Cixiousian sentiment of the book: laughing in the face of the world's [in]sanity. I have a student reading Nietzsche's Genealogy of Morals this semester, and so I am reading it as well. I like to think of Davis' title along side Nietzsche's clear description of his "gay science":

For cheerfulness--or in my own language gay science--is a reward: the reward of a long, brave, industrious, and subterranean seriousness, of which, to be sure, not everyone is capable.

Those of us who enjoy critical questioning (whether in the tradition of American novelists or French theorists or Buddhist spiritualists or Greek sophists, Casey?) know that not everyone enjoys cracking up [social institutions, traditional ideas of morality, progressive visions, ideological assurances, cultural predilections, the self]. Not everyone sees deconstruction as positively as Nietzsche frames it in the opening aphorisms of his Genealogy: as opening the (re)inventive possibility.

3.12.09

Reflections: Rickert's Acts of Enjoyment

I thought I would share a few paragraphs from Thomas Rickert's Acts of Enjoyment:

The point, ultimately, is not that we should immediately change the pedagogical road we are on. This would risk falling into the same critical mode I am discussing, whereby psychoanalytic critique becomes the new authority underwriting more sophisticated control pedagogies. Rather, I suggest that we come to see the road differently, to think about it afresh, and perhaps to try detours or other routes, not by replicating the latest new pedagogies but by reinhabiting current pedagogies through an evolving sensibility. (172)

Thomas follows by arguing that one strategy for reframing (enframing?) the pedagogy we inhabit concerns surprise. We need to both foster an appreciation for open possibility and develop open-ended syllabi that transfer control of curriculum and pedagogy to, if not the students, the kairotic moment that contains the students, the teachers, and the work. This, however, comes with strong disclaimers:

This [surprise being unpredictable and uncodifiable] means that it [suprise] violates one of composition's most dearly held imperatives--that, as D Diane Davis, following Vitanza, puts it, "every theory be immediately translatable into workable classroom practice for the pedagogue" (Breaking 222; see also Vitanza, "Three" 160-161). Surprise cannot be orchestrated in advance as the glittering pedagogical prize achieved by means of good theories devoted towards just ends. Rather, the pedagogue is just as implicated as the students in the kairotic moment(s) that may arise; further it is this mutual implication that makes of the pedagogy a unique moment beyond the possibility of repetition or control. (172-73)

I am drawn to these passages because they articulate a theoretical grounding for the ways in which I have been shaping my expository writing classroom, moving away from traditional models of composition (the default syllabus for the course was based on the EDNA model) to more open-ended and student driven projects. When this class goes right, there is a serendipitous element to it. Such an element cannot be guaranteed.

Rickert is critical towards the critical mandate that informs many composition models--the idea that students' perceptions of the [material] world must be (either) deprogrammed or reprogrammed. Through a student-oriented (I'll avoid the term centered for a moment) digital pedagogy, I am looking to increase student interaction with others, to help them integrate into a community of their choice, to teach forms of participation. There is certainly a "politics" to this pedagogy, but I would be hesitant to label it a "critical" one. The course (to borrow from Vitanza) says "yes" to students in the zones they inhabit, and asks them to say "yes" some more. Such a concern on my part does not promise "good" behavior--students are encouraged to form identities, ethos, voices suitable to their community. Thus, I am not selling a postpedagogical pill to cure the "disaffected attitudes and behavior, including cynicism, apathy, disregard for others, and violence" that marks the postmodern, critical, post-Oedipalized subjectivity Rickert traces through Faigley, Sacks, Zizek, DeLeuze, and Cobain. What I have discovered after teaching this course for several semesters, is that students often develop concern for themselves, their representation, and for others when they interact with communities of their choosing online. And I consider this a good enough thing.

If I feel that something is missing from this pedagogy, and I sometimes do, it is that I have lost virtually any nothing of what Rickert refers to as "contention"--of the interruptive (Freud might call it the disequilibriative) moment. I'll admit my cultural studies background sometimes comes calling; my desire to throw a deconstructive monkeywrench into my students ideological narrative machine hasn't gone away. But I am choosing, for now at least, to endorse civic practices over critical theory because I believe the function of the ruined University lies more with ethics than with epistemology, acting than thinking, community processes than individual scholarship.

3.11.09

Jon Stewart on Fox News

I discovered this at the Blogora this morning, and posted it to Facebook already. But I do have a few friends, well at least one, who resist the siren song of Facebook. So here's the video clip with my short, glib commentary.

The comment that MSNBC wishes they could be Fox News was on point, though I think the Washington Senators would have improved the analogy. The closing nod to Nietzsche, and the acknowledgment that the White House doesn't complain about MSNBC because "they agree with us," demonstrates that contemporary comedy is often more transparent, and thus more trustworthy, than either politicians or news agencies. Given Fox News' parodic claims to "balance," and Obama's intense interest in media new and old, the vituperate nature of this clash isn't too surprising. A reminder that the death of the author equates to the propogation of authors.

For those unfamiliar with Nietzsche, here's the relevant passage from his "We Scholars" in Beyond Good and Evil (I'll quote at length his comparison between meager intellectual laborers and true philosophers, but you really only need skip to the last line):

Those philosopical laborers after the noble model of Kant and Hegel have to determine and pres into formulas, whether in the realm of logic or political (moral) thought or art, some great data of valuations--that is, former positings of values, creations of value which have become dominant and are for a time called "truths." It is for these investigators to make everything that has happened and been esteemed so far easy to look over, easy to think over, intelligible and manageable, to abbreviate everything long, even "time," and to overcome the entire past--an enormous and wonderful task in whose service every subtle pride, every tough will can certainly find satisfaction. Genuine philosophers, however, are commanders and legislators: they say, "thus it shall be!" They first determine the Whither and For What of man, and in so doing have at their disposal the preliminary labor of all philosophical laborers, all who have overcome the past. With a creative hand they reach for the future, and all that is and has been becomes a means for them, an instrument, a hammer. Their "knowing" is creating, their creating is a legislation, their will to truth is--will to power.

What I find interesting here is that both Fox News and Obama represent this Will to Power--Kaufmann's choice of "legislate" works well for me, since both Fox and Obama equal share legislative power. Notice, too, that Nietzsche emphasizes "thus...shall" and not "it...be." Being here (object) is less important than emergence of Being, or the rhetoric of Being, of power to influence Being's becoming in the public eye. Thinking about politics over the past few months, it seems as if Fox News is beating Obama, that his Power is waning.

Of course, I feel compelled to say "Obama," as I am using it above, becomes something that Obama [flesh and blood] could not possibly contain or control. It becomes mimetic. As "we" host it, we invest in it. We invest more than it could hope to contain. Bubbles burst. Frustrations remain. As old notions of authority become evermore loquacious, I can't help but think of Nietzsche's "Night Song":

Night has come: alas, that I must be light! And thirst for the nocturnal! And loneliness! Night has come: now my craving breaks out of me like a well; to speak I crave. Night has come: now all fountains speak more loudly. And my soul, too, is a fountain. Night has come: now all the songs of lovers awaken. And my soul, too, is the song of a lover ("Thus Spoke Zarathustra")

It will be interesting, as we move toward 2012, to see and hear, in the era of increasingly democratized media, the overflow of fountains.

24.8.09

Plato Said, I Say

Plato, Book VI, Republic:

Let's agree that philosophic natures always love the sort of learning that makes clear to them some feature of the being that always is and does not wander around between coming to be and decaying. (485a-b)

Me: No.

11.2.09

"It is the opposite which is good for us"

Because a certain someone keeps trying to shove Parmenides down your throat, I thought I'd share some Heraclitus. Thanks to Plato's misunderstanding, most of us attribute to Heraclitus the trite paradoxical aphorism "you could not step twice into the same river." But, as the Interent Encyclopedia of Philosophy explains, Heraclitus' phrasing can be translated as more sophistic and complex: "On those stepping into rivers staying the same other and other waters flow." For a river to exist as Word (as Being), there must be a constant movement (becoming) that betrays the rectitude of the written, graphic signifier (of course, this play of signifiers produces multiple translations). The play of existence not grounded in mere negativity, Parmenides distinction between static contemplation of "is" and "is not" ("On Nature" II). From the Encyclopedia's explication:

There is an antithesis between 'same' and 'other.' The sentence says that different waters flow in rivers staying the same. In other words, though the waters are always changing, the rivers stay the same. Indeed, it must be precisely because the waters are always changing that there are rivers at all, rather than lakes or ponds. The message is that rivers can stay the same over time even though, or indeed because, the waters change. The point, then, is not that everything is changing, but that the fact that some things change makes possible the continued existence of other things.

The beauty isn't anything that we can see. Beauty eclipses sensual experience. Sensual experience is the progeny of becoming's imperfect, invisible union, a coming into Being. The beautiful mystery underlies the isness of is.

Perhaps it is fitting that Heraclitus now exists only in fragments.

And I feel obligated to admit that Heraclitus probably surpasses Plato in his elitism and disdain for the common cattle of everyday life (much of Plato's allegory of the cave echoes the politics and characterizations of Heraclitus). But, hay, nobody is perfect.

8.1.09

Jim Corder as an Ethic for Blogging

Today I presented Jim Corder's "Argument as Emergence, Rhetoric as Love" to my expository writing class. I believe Corder's propositions for "writing with love" serve as particularly apt principles for approaching digital writing. Corder pushes for five core values:

  • The writer is exposed "...the arguer is alone, with no assurance at all that the other or any audience will be kindly disposed")
  • All writing is provisional ("we can learn to dispense with what we imagined was absolute truth and to pursue the reality of things only partially knowable")
  • Writers are not authorities ("an authoritative position, anyway, is a prison both to us and to any audience")
  • All writing by nature closes, we must work to attempt to keep it open ("Each utterance may deplete inventive possibilities if a speaker fails into arrogance, ignorance, or dogma. But each utterance, if the speaker having spoken, opens again, may also nurture and replenish the speaker's invective world and enable him or her to reach out around the other")
  • Writing should be both personal and thoughtful--not detached, objective, or positively referential ("we must rescue time by putting it into our discourses and holding it there, learning to speak and write not argumentative displays and presentations, but arguments full of the anecdotal, personal, and cultural reflections that will make us plain to all others, thoughtful histories and narratives that reveal us as we're reaching for the others.")

As I was reading Corder today, I couldn't help but notice how much he shares with Levinas, especially in terms of fragmenting the stability of the subject-writer, of indebting the composition of the subject-writer to the author. Of thinking of writing other(than)wise.

I also find it interesting that, writing in 1987, Corder sees technology as speeding up time (he cites electronic mail as an example). I argue the opposite: that forums and especially wikis create a new lived experience of time. This new time somewhat (not completely) outs writing from time--frees us for contemplation and reflection.

20.5.08

Bit o' Levinas

From "The Thinking of Being and the Question of the Other" in Of God Who Comes to Mind:

We have asked whether the Other--who refuses identification, that is, thematization and hypostasis, but whom the philosophy of the tradition attempted to recover in the patience of the concept through the methodology of history as self-consciousness--must not be understood wholly as otherwise, in a putting in question of thought by the Infinite which thought could not contain; in the awakening. This is a putting in question and an awakening which are reversed into the ethics of responsibility for the other; an incessant putting in question of the quietude of the identity of the Same. It is a susception more passive than any passivity, yet an incessant awakening, a waking up in the midst of awakening that, without this, would become a "mood," a state of wakefulness, or wakefulness as a state. A thought more thoughtful than the thought of being, a sobering up that philosophy attempts to say; that is, which it attempts to communicate, and this, if only in a language that ceaselessly unsays itself, a language that insinuates.

The strong above is perhaps the most concise definition of postmodern metaphysics that I have encountered. I am currently working to equate the encounter with the screen as both an encounter with another(s) (other "sames" made other by their digital response-ability) and an encounter with the Face of the Other (Infinity). The screen can be passive in its presenting infinity, in its resistance to be said as any one identity. Of course, we also experience it as active: as comments, responses, mail, spam, as the presence of others (whose responses often question the primacy of my own thought).

This essay, "The Thinking of Being" is my favorite Levinas I have read. It is short (a mere ten pages), but outlines many of Levinas' key concerns. If you've always wanted to know why Derrida considers indeterminacy such a big deal, read this essay (specifically page 116!)

15.5.08

Bit of Levinas

"A Dominican father, for whom I have much admiration and who knows Hebrew admirably, said one day before me: what one takes for an infinite interpretation of the letter of Scripture is simply a reading that considers the entirety of the book as the context of the verse. It is not at all the two or three verses that precede or follow the verse on which one comments! For the absolute hermeneutic of a verse, the entirety of the book is necessary! Now, in the entirety of the book, there is always a priority of the other in relation to me." (Of God Who Comes to Mind 91).

The necessity of totality and its impossibility: these remain Levinas' preoccupations. How can I totalize that which remains in a formative relation to me? That which nourishes me? This is what undoes, silently, the "simply" of the dominican father, what maintains the infinity of interpretation. The Other (the experience of recognizing an infinite something beyond Being) which nourishes prioritizes another before me. I cannot help but interpret her, but such an interpretation must try to take account of everything (including that which cannot be accounted). Just as I cannot master the text, "only a vulnerable I can love his neighbor" (91). Levinas ethics proceed from a recognition of the limits of ontological knowledge, from a suspension of the need of the self in favor of Desire for the Other, from the impossibility of an absolute hermeneutic.

14.5.08

New Media Rhetoric and Wikipedia

I thought I would share my conference proposal for International Society for the History of Rhetoric conference. I have a feeling its probably a bit too contemporary (ie, it mentions computers) for this conference, but there's no harm in trying. The talk would be building off of what I'll be discussing at RSA later this month: though that talk focuses on the complex ways [non-Platonic/Aristotelian] in which Wikipedia establishes credibility. I'll post links to that material later. I guess my preoccupation with wikis extends from their complete "newness"- there's really nothing in history that compares to the magnitude to which they precipitate, harness, and purpose human interaction and thinking. Anywho, here's the proposal:

In We the Media, journalist turned new media proponent Dan Gillmor argues that digital technologies present us with an entirely new form of communication; in addition to “one-to-one” communication (which we can identify with dialectic) and “one-to-many” (rhetoric), digital technologies offer “many-to-many” communication (26). As Gillmor demonstrates through an examination of contemporary blogs, forums, wikis, and social aggregators, audiences are no longer exterior, static entities to be acted upon. They are now far more active agents in a far more dynamic communicative process.

I argue that this developing communicative medium will further push rhetoric to break away from its Platonic / Aristotelian preoccupation with objective truth and persuasion. As audiences gain more response ability, rhetors will have to work with audiences rather than upon them. The dynamism of digital communicative environments, in addition to their emphasis on collecting intelligence, will call for a rhetoric more concerned with fostering collaboration than producing terminal synthesis.

This does not mean that rhetoric should abandon all discussion of persuasion, only that its focus needs to expand to include non-synthetic negotiation of difference. I will offer as example of this dual need a presentation of Wikipedia. The “article” dimension of a Wikipedia entry reflects a traditional interest in truth and knowledge production. But every Wikipedia entry is more than just its “article”: it is a massive collection of pages, including a lively “discussion” section and a history of all changes made to a page. Every knowledge object becomes embedded in a web of social relations. These other, more social, dimensions to each entry symbolize the ways in which “many-to-many” communication is changing our information landscape and suggest how rhetoric needs to augment persuasion with an interest in cooperation.

I will conclude by arguing this transformation is anticipated in the work of Burkian rhetorical theorist Jim Corder. Throughout the mid-1980’s Corder argued that the work of rhetoric extended beyond persuasion to something more akin to “love.” Designed to deal with the intensified wrangle of the digital barnyard, a rhetoric of cooperation builds off of Corder and Burke by emphasizing that the ends of rhetoric aren’t always concerned with persuasion—sometimes they are concerned with keeping the conversation hospitable, active, and inviting.

13.3.08

Notes on Of Grammatology

It took me a bit to get started, but here we go...

If, as Derrida suggests, writing threatens language, then digital technology extends this threatening, by engaging so many more people in the “play.” As the actors gather, as the stage widens, the stakes increase. In 1968 Derrida suggested:

The advent of writing is the advent of this play; today such a play is coming into its own, effacing the limit starting from which one had thought to regulate the circulation of signs, drawing along with it all the reassuring signifieds, reducing all the strongholds, all the out-of-bound shelters that watched over the field of language. (7)

Forty years later, what better sign of this coming (change for Derrida is always a specter of the future) do we have than wikipedia? Wikipedia realizes much of what Derrida refers to as the death of the book, “the death of the civilization of the book, of which so much is said and which manifests itself particularly through a convulsive proliferation of libraries” (8). Rather than further replicate the logocentrism of language through a further proliferation of libraries, we are witnessing a transformation- a transformation incited by digital writing. Writing not as a noun, not as objects proliferated across places, but writing as an action "collected" in placeless spaces. We have a proliferation of writers, many of whom are alien to the traditional strong-holds of language and Thought. There work appears, but it does not multiply or collect arithmetically. It appears and disappears. It transforms. Dynamically authored and edited, texts transform. It is these new movements- especially the disappearance, that so differs from the culture of print, presence, and permanence. Rhetoric has long been the art of shifty wordsmiths; it is ready for a digital word in which words actually shift in real time. Digital writing, especially wikipedia, is a celebration of “the human and laborious, finite and artificial inscription” (15). Web 2.0’s open opposition to “expertise” is a rejection of a logocentric divinity that positions truth as external to humanity, especially to the masses. Rather than libraries, we have librarying (and, of course, LibraryThing).

A task that I will face: is librarying logocentric? This is not a question I as of yet feel qualified to answer. But my initial suspicions are yes... and no. Digital technologies are not an absolute break from print/literate culture. They are a transformation. Just as with the transitions from orality to literacy and then from literacy to print, the transition from print to digitality will retain much of what has come before: especially the desire to know, to learn, and to exchange. What will be different, I suggest, is that our knowing, learning, and exchanging will transpire with a stronger exposure to the Face of others. Our contact will knowledge (and others) will be tempered by the ethical encounter with the Face of the Other. Words will not be dead, but uncomfortably living.

1.3.08

Sometimes the "Rhetoric of Change" Really Means Change

I wanted to share Norm Scheiber's article "The Audacity of Data" on Obama's economic theory. It seems that Obama strays from traditional political philosophy in favor of something which Scheiber labels as "non-ideological" but which I might refer to as more complex (in a Mark C. Taylor sense), dare I say more rhetorical. Let me explain.

First, Scheiber explains that contemporary economic theory is going through a kind of sea change- the old (read:modern) methods, which relied on a mythical "perfectly rational" human actor as a foundation for its theory, are being challenged. If you've read anything on the history of complexity theory, then you know that this actor has never existed. Economic theorists were among the first to see the social significance of complexity. The radicals began abandoning top-down, hierarchical models for explaining ALL human behavior in favor of messy, but more valid, insights into particular... well let's call them economic ecologies (see Waldrip for a very readable if annoyingly hero-izing account of complexity's rise). All the development of modern economic theory is a prime example of what goes wrong when you become a slave to your deductive theory: you create a wonderful, "perfect" model that doesn't in anyway relate to how people actually live their life. D'oh. Perhaps it explains how people should live their life- but that's a very, very different thing. I'm thinking here of a favorite saying of my friend Nathaniel Rivers from Kenneth Burke: beware of confusing "is" with "ought." Hey, Nathaniel, can you give me a source on this?

On to Obama. First, let's not make the mistake of labeling Obama as non-ideological. Everyone lives according to an ideology, if we understand ideology to mean the systems of representations that underlie and inform our daily lived experience. And I'm recalling that definition from Althusser, thanks to Google I can add: "the imaginary relationship of individuals to their real conditions of life" (qtd. in Michael G. Cooke). Scheiber, of course, belongs to a different discourse community- I just don't want any Marxists breathing down our neck for the next few paragraphs.

What we might say, however, and what Scheiber details quite clearly, is that Obama's theoretical approach to economics (and politics) is anti-idealist and anti-deductive, eschewing overarching theories in favor of localized action. And Scheiber works hard to detail that this doesn't equate to being non-academic; if anything, Obama is working to put himself in contact with cutting-edge academics whose non-traditional approaches run against normal political wisdom. Quote: "the Obama wonks [and this is a loving term] tend to be inductive— working piecemeal from a series of real-world observations." He compares the Obamanauts to the Clintonites, noting that while the latter wanted to institute massive top-down changes, the former works within existing paradigms, tweaking what works and exorcising what doesn't. Here's a kick-ass metaphor:

Think of the contrast here as the difference between science-fiction writers and engineers. Reich and Galston are the kinds of people who'd sketch out the idea for time travel in a moment of inspiration. Goolsbee et al. could rig up the DeLorean that would actually get you back to 1955.

O.k., maybe a bit over the top. But it makes my brain tingle. Lest we think this approach isn't rigorous, Scheiber follows up:

And yet, just because the Obamanauts are intellectually modest and relatively free of ideology, that doesn't mean their policy goals lack ambition. In many cases, the opposite is true. Obama's plan to reduce global warming involves an ambitious cap-and-trade arrangement that would lower carbon emissions 80 percent below 1990 levels by 2050. But cap-and-trade--in which the government limits the overall level of emissions and allows companies to buy and sell pollution permits--is itself a market-oriented approach. The companies most efficient at cutting emissions will sell permits to less efficient companies, achieving the desired reductions with minimal drag on the economy.

The biggest change Obama might bring to politics is a grass-roots, complex, contextualized approach to politics forgoes the rhetoric of "big changes" in favor of something different- something non-utopian but a pragmatic sensibility that works from within. While this approach might not be quite as aptly rhetorical for the current political field, it just might change the way the game is played.

Let's try that.

11.12.07

Davis > Derrida > Levinas

Today's reading: John Muckelbauer's "Rhetoric, Asignification, and the Other: A Response to Diane Davis" and D. Diane Davis' "The Fifth Risk: A Response to John Muckelbauer's Response". Muckelbauer challenges the assumption that any discourse or pedagogy can claim ethical or political superiority, all share "a different orientation into the impossible wager of discourse" (he is specifically discussing the hermeneutics of Mailloux, the Levinasian alterity of Davis, and the possibility of a third position). Muckelbauer's conclusions performs well his argument that rhetoric, as an art, is not solely concerned with what can be told or shown--it is also very much a matter of feeling.

That is, one of the crucial lessons of Levinas's and Davis's work may well be that, rather than being the telos of rhetoric, judgment may simply be the residue of asignifying, rhetorical processes. But none of these discourses would have any heightened purchase on those processes, as each of them is nothing more (or less) than a different orientation into the impossible wager of discourse, some of which are driven by the desire to criticize or advocate, and some of which are driven by the desire to immanently interrupt the operations of critique and advocacy. In the end, perhaps the best that one can hope for is an impossible encounter with the other on the necessarily impure terrain of the same. Of course, this hope cannot tell you what to do. It cannot tell you what to denounce and it cannot tell you what to endorse. Then again, perhaps it can.

It is the precarious placement of the perhaps--itself an interruption--that interrupts the desire for a Certain judgment. Sweet. And, of course, reading his conclusion made me want to write this post...

I find stomach rejecting Muckelbauer's conclusion--its a bit queezy and tied up in knots, but my head hasn't quite caught up yet (and this returns to his opening point: that rhetoric is more than reason, its sense). This might have something to do with sleep deprivation, who knows. But, while we might not have a stable foundation from which we can make decisions of absolute supremacy, this does not mean we cannot hypothesize from the mists. I believe our orientation toward discourse can affect its political and ethical impact; and Davis' picks up on this when she writes/cites that for Levinas "ethics is not some 'proper response' but this interruption of the self by the other, each time, in which 'the I loses its sovereign coincidence with itself, its identification' ("Trace of the Other 353)." This does not mean that we can extract one ethical program from Levinas' work--rather, we are provided with a first principle, one that eschews egoism and synthesis.

The following comes from the conclusion of Davis' response to Muckelbauer:

Judgment with an eye to justice has no illusions of finality; it is a tentative gesture that is offered without clarity or certitude, both as a test and an invitation. In Otherwise than Being, Levinas writes: "This book interprets the subject as hostage and the subjectivity of the subject as a substitution breaking with being's essence. The thesis is exposed imprudently" (Otherwise than Being 184). Derrida notes that for Levinas the thesis "is therefore not posed, it is imprudently and defenselessly exposed, and yet that very vulnerability is ('this weakness is necessary,' we will read a little later on) the provocation to responsibility for the other, it leaves a place for the other in a taking-place of this book where this here no longer shuts in upon itself, upon its own subject" ("At This Very Moment in This Text Here I Am" 31). As Avital Ronell puts it, "rather than flexing a thetic muscle that would buff up under the light of truth, Levinas offers a discourse vulnerable to its own sense of exposure, frailty and uncertainty" ("The Sacred Alien: Heidegger's Reading of Hölderlin's 'Andenken")

9.11.07

Complexity Theory and Authorship as Plurality

There was a discussion on a listserv today regarding why the individual author has become a myth. I cranked out a short response and figured I'd share. The original poster referred to the Emersonian (right?) "nothing is original" mantra. While I find that interesting, that's not what I identify as the problem. Its not so much that the individual author is a myth, as much as our postmodern ethics are skeptical of the egoist control and assurance that such a perspective purports. I can't help thinking of Mark C. Taylor's discussion his own sense of authorship in _The Moment of Complexity_:

I, Mark C. Taylor, am not writing this book. Yet the book is being written. It is as if I were the screen through which the words of others flow and on which they are displayed. Words, thoughts, ideas, are never precisely my own; they are always borrowed rather than possessed. I am, as it were, their vehicle. Though seeming to use language, symbols, and images, they use me to promote their circulation and extend their lives. The flux of information rushing through my mind as well as my body (I am not sure where one ends and the other begins) existed before me and will continue to flow long after I am gone. "My" thought--indeed "myself"--appears to be a transient eddy in a river whose banks are difficult to discern. [...] One of the few things that is clear even if not obvious is that all writing is ghostwriting. This work, like all others, is haunted by countless specters. Some I know, others I do not; some I name, others remain unnamed. The unknown and unnamed are not, of course, absent--nor are they present. Their silence speaks through my words in ways that remain cryptic to author as well as the reader. (196)

I think Taylor presents us with something more complicated than anti-originality. The constitutive debt to language stems beyond the ability of any individual consciousness' comprehension. Resisting the myth of the individual writer is a recognition of just how much of our reality is built up through nothing more than our symbol systems (and our ghosts-thnx KB). Even at our keyboards, though perhaps the only ones biologically present, we are never alone.

7.10.07

Kurzweil, The Singularity is Near

I've put off reading this book for awhile, since I find it so difficult to talk about. I find Kurzweil's work fascinating and dangerous, stimulating and irresponsible. I know he's coming to come up in my dissertation, opposite and alongside McLuhan and Landow as I discuss the impact of digital technologies on the perception of consciousness, status of knowledge, and appreciation of ethics. Below, you'll find some of Kurzweil's "greatest hits" and notes toward my reading and resistance of his neo-Platonic and Hegelian vision of our future.

Prologue

I noticed, of course, many parallels among the world's religious traditions, but even the inconsistencies were illuminating. It became clear to me that the basic truths were profound enough to transcend apparent contradictions. (1)

It would be hard to start off any more Modern than that. Just strip the noise away from all these different Christian denominations, synthesize them, and you've discovered a profound truth. Hegel test: check.

I realized that most inventions fail not because the R&D department can't get them to work, but because the timing is wrong. Inventing is a lot like surfing: you have to anticipate and catch the wave at the right moment. (3)

Yay kairos (or is this "stupid kairos," if only people were smarter and could recognize the brilliance of "right" R&D?).

[This book] is predicated on the idea that we have the ability to understand our own intelligence--to access our own source code, if you will--and then revise and expand it. (4)

Did you just shutter a bit? Perhaps a little? I'll explain my fear below, but I want to stress that Kurzweil (and others) demonstrate that the technological ability to manipulate our "code" lies right before us, if it is not, in fact, here already.

Chapter One

Just as a black hole in space dramatically alters the patterns of matter and energy accelerating toward its event horizon, this impending Singularity (sic) in our future is increasingly transforming every institution and aspect of human life, from sexuality to spirituality. (7)

Yup, no argument from me.

This book will argue, however, that within several decades information-based technologies will encompass all human knowledge and proficiency, ultimately including the pattern-recognition powes, problem-solving skills, and emotional and moral intelligence of the human brain itself. (8)

Its that final clause ("emotional and moral intelligence") that is such a dousy. Connecting above, this reeks of a Hegelanism most foul. Although it might sound trite or even wearisome this day and age, we must ask: whose morality will the machine encompass? Will the machine, so culturally and historically determined, provide us with the proper morality? The singular morality (and I know I am mis-using Kurzweil's definition of singular, which I'll detail below; but, as Burke would say, the jingle dog is strong hear...er...here)

The Singularity will allow us to transcend these limitations of our biological bodies and brains. (9)

The material leading up to this quote stresses the ways in which the skin bag (thanks Mr. Clark) limits human cognition. There is a deep Platonic Idealism here--a transcendance beyond the mere material world. It goes nicely with this next quote, which I like to call "Welcome to the Hegelian Food Processor":

The Singularity will represent the culmination of the merger of our biological thinking and existence with our technology, resulting in a world that is still human but that transcends our biological roots. There will be no distinction, post-Singularity, between human and machine or between physical and virtual reality. If you wonder what will remain unequivocally human in such a world, it's simply this: ours is the species that inherently seeks to extend its physical and mental reach beyond current limitations. [...] Although the Singularity has many faces, its most important implication is this: our technology will match and then vastly exceed the refinement and suppleness of what we regard as the best human traits. (9)

Phew. Deep breath. So much for life, liberty, and the pursuit of happiness? Is such a search the true goal of Socrates (is this a 21st century call for the Good)? Is this a return to the master narrative of history? These are not facetious questions--they are very real. And, to me, very troubling. Troubling, because I recognize in our technological development a seed of Kurzweil's vision [which echoes Kant's vision for the Enlightenment]. Though I believe it is one that we have to resist.

Whether our civilization infuses the rest of the universe with its creativity and intelligence quickly or slowly depends on its immutability. In any event the "dumb" matter and mechanisms of the universe will be transformed into exquisitely sublime forms of intelligence, which will constitute the sixth epoch in the evolution of patterns of intelligence.

this is the ultimate destiny of the Singularity and of the universe. (21)

I already said it was Hegelian, right?

On the definition of Singularity: "a unique event with, well, singular implications"; "the word was adopted by mathematicians to denote a value that transcends any finite limitation"; "an event capable of rupturing the fabric of human history" (22-23).

it represents the nearly vertical phase of exponential growth that occurs when the rate is so extreme that technology appears to be expanding at infinite speed. [...] But from our currently limited framework, this imminent event appears to be an acute and abrupt break in the continuity of progress. I emphasize the word "currently" because one of the salient implications of the Singularity will be a change in the nature of our ability to understand. We will become vastly smarter as we merge with out technology. (24)

Grounding technology philosophically upon a conceptualization of singularity is, in fact, the direct opposite of founding it upon Otherness. Rather than encouraging the tentativeness and unassurance I associate with Levinas and Derrida (and postmodernism in general), the Singularity encourages confidence and synthesis. Rather than pushing us to accept that there are considerations of consciousness (and thus, ethics, and thus, morality) beyond our capacity to know, the singularity suggests that consciousness, ethics, and morality will be revealed through the machine. Whether true (and this is no small condition!), I am disturbed by the underlying eugenical bend. Disturbed.

As I read the rest of the book, I will be focusing on the character of "smarter" as quoted in the final sentence above. I do believe that digital technologies increase our collective intelligence, allowing us to network our brainpower in ways previously unimaginable. And, like Kurzweil, I hope that these technologies will change the way we come to understand each other--but I particularly hope these technologies will suggest that it is impossible to ever truly understand anOther person (or even to have an absolute understanding of oneself--an I can never think enough to substantiate self-knowledge). In other words, I'm looking to foster a respect for difference through an appreciation of differance as a metaphysical first principle. Although its only a hunch, I have a feeling that the Platonic, Hegelian, and Kantian undertones of the passages cited above are moving Kurzweil in another direction.